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Thread: How to draw and fade question
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05-01-2006 10:25 AM #1
How to draw and fade question
I am just starting to try to teach myself how to draw and fade the ball. I have read some different articles on how pros do it and of all of the things I have read and/or saw, I really liked Annika Sorenstam's explanation of how she does it, so I have been trying to follow her tips.
She say that when she wants to draw the ball, she will close her stance a bit (point to the right of the target), but keep ther club head pointing at the target. Then she swings in line with her body plane. For fade shots she opens her stance a bit (aims a bit left of target), with the club head pointing at the target and swing plane in line with her body.
I have tried this at the range and instead of curved shots going to the target, I get a straight line ball flight to the target.
Did I misunderstand her instructions? What could I be doing wrong?
Thanks,
RezaProud member of the 2009 Ryder Cup winning team
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05-01-2006 02:16 PM #2
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you have point the face of the shaft toward the target by turning the grip in your hand, not by turning your wrists over.
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05-01-2006 02:38 PM #3
That is exactly what I am doing. Turing the shaft until the clubface is pointing at the target. My hands and wrists are not turned at all.
Proud member of the 2009 Ryder Cup winning team
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05-01-2006 02:50 PM #4
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then my guess is that you're cancelling out the hook lie with an outside to inside swing. you should try and feel the clubhead following the line of your feet. really really try to hit the ball right of your target.
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05-01-2006 02:52 PM #5
If the ball is going straight at the target then you're not swinging along your setup line. You're supposed to set up facing to the side of the target, so the ball should start out on the line your aiming at, then curve back toward the target. If it's not, then you're not swinging down the right line, you're trying to swing back at the target. It'll never slice or fade if you do that.
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[color=seagreen]"Got more dirt than ball. Here we go again."
Alan Shepard, Apollo 14 Commander, Amateur-Golfer, preparing to take another swing during his famous moon walk in 1971.
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05-01-2006 02:54 PM #6
I find the easiest way to hit a fade or draw without making swing changes is to align the face of your club where you want the ball to finish and then align your stance where you would like to start the ball... Then just take a regular swing.. In the case of the draw I like to increase my grip preasure of the bottom hand a bit..
Another way would be to adjust your stance (basically accomplishing the same thing) So for a draw I drop my back foot and then swing on the line.. This causes you to take the club away inside.. and the opposite for the fade.. drop your front foot and you will take the club away outside..Proud Member BigJohnnys Ryder Cup Team '08
All your base, are belong to us.
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05-01-2006 06:41 PM #7
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Originally Posted by rezadue
Instead - do this.
-Aim the face of the club at your target.
-Align your body left
-Take your grip
-Swing
Or
-Set the club on the ground with the face OPEN
-Grip it
-Adjust your body left until the face is at the target
-Swing
Both achieve the same thing, but the key is NOT to grip the club first. I was working on this very shot today and it works every time.
Of coure, just reverse everything for a "draw" type shot.
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05-01-2006 08:10 PM #8
I will give these suggestions a try and see what I come up with.
On a related note, I wonder if it is too early for me to be experimenting with these shots. Last year was my first full year and I played around 25 rounds and am playing to a handicap of 20.5
The sticks I use are supposed to be workable ( RAC LTs) so tht is not an issue.Proud member of the 2009 Ryder Cup winning team
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05-02-2006 09:02 AM #9
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Originally Posted by rezadue
All clubs are easily workable, from the biggest of cavities to blades, if you hit the ball on the centre of the face. Where cavities lose a little bit of workability is when you hit the ball off centre, but then so do blades. The blades will lose more in distance than workability. Work on make good contact. You can get some impact tape and that will tell you where on the face you are hitting the ball.
You are on the right track.
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05-02-2006 01:43 PM #10
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Originally Posted by rezadue
try playing around with the height of your shots as well.
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05-02-2006 03:07 PM #11
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drawing & fading
Enjoying this discussion. Very usefull discussion for me.
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05-17-2006 02:43 PM #12
I also use Annika's method. Nick Price and a few other great ball-shapers use this method.
One thing that is important to keep in mind is ball position... Once you align the club to the target, you setup your stance towards where you want to start the ball but you also have to make sure that the ball is positioned normally, relative to your stance. In other words, it just as if you were playing a regular shot to the right of the hole for a draw (left for a fade) but with the club facing your intended target. Take a regular swing and the ball should turn toward where the club face is positioned.
Often, we tend to try and force the ball one way or the other, but it is crucial to always keep the same swing in order to achieve any kind of result with this method.
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05-17-2006 03:07 PM #13
Well, I have tried it out of necessaity on a course. My second shot on #3 at Champlain ended up behind some trees on the left side of the fairway so I had to draw the ball. I tired the Aniika method and sure enough it worked like a charm!
The only issue I am having is that I can not consistently do this. And I think that it is because even though I setp to the right or left of the target I sometimes look at where I want the ball to go when I swing. So I am probably not swinging along the correct line.Proud member of the 2009 Ryder Cup winning team
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05-18-2006 01:10 PM #14
I don't think you need to really concentrate on working a ball with a higher handicap necessarily. Yes there are certain circumstances when i can come in handy but it's not important at this point whatsoever. Practice your short game to cut your handicap down, learning to shape a ball is a very difficult thing to do purposely and you need a solid repeatable swing to do is consistently.
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05-18-2006 04:12 PM #15Originally Posted by John
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05-18-2006 05:13 PM #16
Yep i can see your point but i guess it's just not something i feel is that important. My handicap fluxuates from a 5 to a 9 and i don't often see a need to work a ball. I just think it's too unreliable.
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05-18-2006 05:33 PM #17
Drawing and fading of the ball is ridiculously easy. I can do it anytime I don't want to.
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05-18-2006 05:42 PM #18Originally Posted by Reid MassonLive as if you were to die tomorrow. Learn as if you were to live forever.
Mahatma Gandhi
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05-18-2006 06:18 PM #19
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05-18-2006 09:04 PM #20Originally Posted by John
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05-18-2006 09:17 PM #21
Have any of you guys played solid tennis? Take a one handed slice backhand for example. If I change the grip and set up with a closed stance and still use the same motion will I suddenly start top spinning the ball??? I think NOT.
Live as if you were to die tomorrow. Learn as if you were to live forever.
Mahatma Gandhi
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05-27-2006 04:11 PM #22
Hmm..This is a touchy subject I think when it comes to whether or not it's a good idea to start playing with fades and draws at the handicap you're playing at. I guess it depends on how developed your game is. The difference between a 20 and a 15 handicap could be lack of short game, but a very sound swing. If you are happy with your swing, I'd say it's okay to focus on fades and draws a bit, but I'd be focusing more on flops shots, or different types of chip shots that can really help your score, rather than fading the ball.
Just my two cents.
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05-27-2006 11:10 PM #23
If you don't have a reliable swing, then trying to purposefully do fades and draws is moot. In my case my swing is reasonable with a natural draw and I feel comfortable drawing the ball on purpose. However, I do not feel comfortable fading the ball on purpose. I am working on getting myself to use the same swing with a slight open clubface at setup. It is getting there on the range, but I am not quite ready to take it to the course yet.
Regardless, currently holding down a 12 index I try to spend at least 75% of my practice time on my short game. It is still by far my biggest problem in trying to get my scores down.
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05-27-2006 11:41 PM #24
Well, I think the swing is not too bad as long as I don't lookm up half way through it. And I naturally draw with my irons. I seem to like to close the face a bit and point to the right of the target, so I think drawing on purpose is not that difficult to do.
Fading is another story. I don't feel comfortable doing it and most times I banana slice when I try in on the range, so I am not doing that on the course until I feel much more comfortable.
Right now I only draw the ball on purpose when I really need to get around a corner.Proud member of the 2009 Ryder Cup winning team
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06-05-2006 10:12 PM #25
I read the same article by Annika but I was taking my grip *prior* to aligning the club face because that's what I do in my pre-shot routine. After reading this thread I've been able to get the ball working a bit to the left and the right......now it's time to work on the consistency.
Great stuff here everyone Thanks!!
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06-06-2006 10:37 AM #26
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When your not playing well, one of the best things you can have is a reliable fade with your driver/fairway woods. It tends to be a little higher and with a bit more spin, hence rolls less when it lands, an easy way to find the fairway. If you keep putting it in play, it helps confidence. Even if its your driver your playing bad with, it can help because the open stance is much more comfortable and it lets you release the club easier.
You have to be careful when playing draws and fades that you dont take an aggresive swing unless you have to. With an agresive swing, its easy to turn a ice little draw or fade into a huge hook or a slice. (which I still manage to do swinging easy at times). I generally only take aggresive swing though if I am trying to slice or hook it
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